Grosse Pointe Blank

• Here is the killer comedy hit that is loaded with outrageous fun! For Martin Blank (John Cusack -Con Air), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he is in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -Good Will) and pulling off one final job convince him to go, things are looking up.that is, until Martin

Here's the killer comedy hit that's loaded with outrageous fun! For Martin Blank (John Cusack -- HIGH FIDELITY, SERENDIPITY), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he's in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -- GOOD WILL HUNTING) and pulling off one final job convince him to go, things are looking up ... that is, until Martin's arch rival (Dan Aykroyd) shows up aiming to blow the competition away! ! For hilarious comedy entertainment that's packed with action, GROSSE POINTE BLANK is a surefire knockout!Hit man Martin Q. Blank (John Cusack) is in an awkward situation. Several of them, actually. He's attending his high school reunion on an assignment; he's got a rival hit man (Dan Aykroyd) on his tail; and he's going to have to explain to his old girlfriend (Minnie Driver) why he stood her up on prom night. This amiable black comedy, cowritten by Cusack and directed by Jonathan Demme protégé George Armitage (Miami Blues), has the feel of Demme's Something Wild and Married to the Mob--which is to say its humor is dark and brightly colored at the same time. Cusack and Driver are utterly charming--as is the leading man's sister, Joan, who plays his secretary. (Ms. Cusack received an Oscar nomination for her next role, in In & Out.) Alan Arkin is also very funny as Martin's psychiatrist. --Jim Emerson

Grace Is Gone

• Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a hus

In one of his most acclaimed performances, John Cusack makes an astonishing transformation as Stanley Philips, a sad, disconnected man unable to tell his young daughters their mother, a soldier, has died in Iraq. Instead, he takes the girls on a road trip, where their innocent charm helps him rediscover a healing joy he thought he'd lost forever.Unlike previous Iraq War films, the poignant directorial debut from writer James C. Strouse (Lonesome Jim) uses the conflict as starting point rather th! an subject. Early in the proceedings, Stanley (John Cusack) finds out his wife has been killed in the line of duty. The bespectacled disciplinarian decides not to tell his daughters right away. In his younger days, Stanley tried to serve his country, but poor eyesight dashed that dream, and now he's a superstore manager. The sort of middle-American conservative rarely seen at the art house, Stanley believes in his president. That doesn't alleviate his pain. Putting on a brave face, he asks his oblivious girls for their greatest wish. Eight-year-old Dawn (Gracie Bednarczyk) exclaims, "Enchanted Gardens!" With that, they hop in their SUV and drive from Minnesota to the Florida theme park. Twelve-year-old Heidi (Shélan O'Keefe) knows something is wrong--her dad isn't the spontaneous type--but she doesn't know what it is. En route, they visit Stanley's brother, John (Alessandro Nivola), who offers some insight into their bottled-up father. By the end of the trip, Stanley figur! es out how to break the news, in the process becoming a real p! arent. A fter winning the Audience Award at Sundance, Clint Eastwood, Cusack's Midnight in the Garden of Good and Evil director, gave the soundtrack a jazz-oriented overhaul. In tone, it's almost too refined for the blue-collar world Strouse depicts, but never distracting. More importantly, Grace Is Gone features Cusack’s finest performance to date. --Kathleen C. Fennessy