- “**** This Year’s COOLEST Animated Comedy! - Jeff Craig, Sixty Second PreviewGet ready
- From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of
Just because you grow older doesn’t mean you have to grow up! Comedy superstars Adam Sandler, Kevin James, Chris Rock, David Spade and Rob Schneider are at their hilarious and outrageous best playing childhood friends who reunite one holiday weekend to relive the good old days. It doesn’t matter that these five guys are now respectable businessmen, husbands and fathers. Once they get back together, nothing is going to stop these kids-at-heart from having the time of their adult lives. From the people who brought you
Click, comes this hilarious and heartwarming film that proves men will be boys. Adam Sandler and his frequent costars (Chris Rock, Kevin James, David Spade, and Rob Schneid! er) grope blindly for maturity in the genial comedy
Grown Ups. Five childhood pals are drawn back together after the death of their former basketball coach; over the course of a Fourth of July weekend, they--along with their wildly attractive wives (played by Salma Hayek, Maria Bello, Maya Rudolph) and precocious children--loosen up, try to introduce their kids to the simple pleasures of nature, air some dirty laundry, and rediscover their friendship. In other words, it's a fairly formulaic comedy that veers awkwardly from gags (ranging from slapstick to mean-spiritedness) to sentiment (ranging from sappy to not entirely sappy). Its appeal will depend entirely on your feelings about Sandler and the rest of the gang--if you like this bunch of lugs (in all their prolonged adolescent glory), then you'll like this movie. If you don't, you won't. Everyone's in relaxed but good form; affable is more the comic goal than razor sharp. Expect gags about being fat, being old, p! rolonged breast-feeding, ogling hot chicks, flatulence, etc. T! here's s ome role reversal: it's the women, particularly Hayek as a type-A fashion designer, who need to learn the eternal cinematic lesson that family is more important than work. Featuring guest appearances from Tim Meadows, Colin Quinn, and Steve Buscemi.
--Bret FetzerJust because you grow older doesn’t mean you have to grow up! Comedy superstars Adam Sandler, Kevin James, Chris Rock, David Spade and Rob Schneider are at their hilarious and outrageous best playing childhood friends who reunite one holiday weekend to relive the good old days. It doesn’t matter that these five guys are now respectable businessmen, husbands and fathers. Once they get back together, nothing is going to stop these kids-at-heart from having the time of their adult lives. From the people who brought you
Click, comes this hilarious and heartwarming film that proves men will be boys.Adam Sandler and his frequent costars (Chris Rock, Kevin James, David Spade, and Rob Schneider) grope blind! ly for maturity in the genial comedy
Grown Ups. Five childhood pals are drawn back together after the death of their former basketball coach; over the course of a Fourth of July weekend, they--along with their wildly attractive wives (played by Salma Hayek, Maria Bello, Maya Rudolph) and precocious children--loosen up, try to introduce their kids to the simple pleasures of nature, air some dirty laundry, and rediscover their friendship. In other words, it's a fairly formulaic comedy that veers awkwardly from gags (ranging from slapstick to mean-spiritedness) to sentiment (ranging from sappy to not entirely sappy). Its appeal will depend entirely on your feelings about Sandler and the rest of the gang--if you like this bunch of lugs (in all their prolonged adolescent glory), then you'll like this movie. If you don't, you won't. Everyone's in relaxed but good form; affable is more the comic goal than razor sharp. Expect gags about being fat, being old, prolonged breast! -feeding, ogling hot chicks, flatulence, etc. There's some rol! e revers al: it's the women, particularly Hayek as a type-A fashion designer, who need to learn the eternal cinematic lesson that family is more important than work. Featuring guest appearances from Tim Meadows, Colin Quinn, and Steve Buscemi.
--Bret FetzerJust because you grow older doesn’t mean you have to grow up! Comedy superstars Adam Sandler, Kevin James, Chris Rock, David Spade and Rob Schneider are at their hilarious and outrageous best playing childhood friends who reunite one holiday weekend to relive the good old days. It doesn’t matter that these five guys are now respectable businessmen, husbands and fathers. Once they get back together, nothing is going to stop these kids-at-heart from having the time of their adult lives. From the people who brought you
Click, comes this hilarious and heartwarming film that proves men will be boys. Adam Sandler and his frequent costars (Chris Rock, Kevin James, David Spade, and Rob Schneider) grope blindly for maturi! ty in the genial comedy
Grown Ups. Five childhood pals are drawn back together after the death of their former basketball coach; over the course of a Fourth of July weekend, they--along with their wildly attractive wives (played by Salma Hayek, Maria Bello, Maya Rudolph) and precocious children--loosen up, try to introduce their kids to the simple pleasures of nature, air some dirty laundry, and rediscover their friendship. In other words, it's a fairly formulaic comedy that veers awkwardly from gags (ranging from slapstick to mean-spiritedness) to sentiment (ranging from sappy to not entirely sappy). Its appeal will depend entirely on your feelings about Sandler and the rest of the gang--if you like this bunch of lugs (in all their prolonged adolescent glory), then you'll like this movie. If you don't, you won't. Everyone's in relaxed but good form; affable is more the comic goal than razor sharp. Expect gags about being fat, being old, prolonged breast-feeding, ogl! ing hot chicks, flatulence, etc. There's some role reversal: i! t's the women, particularly Hayek as a type-A fashion designer, who need to learn the eternal cinematic lesson that family is more important than work. Featuring guest appearances from Tim Meadows, Colin Quinn, and Steve Buscemi.
--Bret FetzerDick and Mandy, a young working class couple, move into a council house in Canterbury, and find Mr. Butcher, one of their former teachers, living next door. Mandy's unmarried sister, Gloria, is constantly dropping in, and will not take any hints that the couple would prefer to be left alone, until her presence finally goads them into action. The entire film comes to a head when both couples are found wrestling in the hall while trying to oust the poor sister from the Mr. Butcher's bathroom.Danny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Kath! erine’s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we’ll go for love.It all comes down to chemistry. And the two main stars of
Just Go with It, Jennifer Aniston and Adam Sandler, thankfully, have chemistry to spare. Both actors have plenty of sheer likability and honest ease, as well as sparks in just the right places, which helps propel
Just Go with It to its satisfying (if a bit predictable) conclusion. (Hollywood execs: Consider an update of
Moonlighting starring these two.) If the premise, loosely based on the Goldie Hawn film
Cactus Flower, stretches reality, the capability of the whole cast makes
Just Go with It an enjoyable ride. Sandler plays Danny, a surgeon who falls for a much-younger bombshell, Palmer (swimsuit model Brooklyn Decker, a surprisingly natural actress). But when Palmer finds the fake wedding band that commitment-phobe Danny ha! s used for his no-strings-attached previous relationships, the! web of fibs begins. Danny asks his assistant, Katherine (Aniston), to pretend to be his soon-to-be-ex-wife, and Aniston plays it to the hilt. But soon Danny's wobbly house of cards includes Katherine's children--and, in the ultimate romantic-comedy trope, a group trip to Hawaii to work things out. The cast really is stellar, including very small supporting roles by Nicole Kidman and singer Dave Matthews, as an insufferable couple disliked intensely by Katherine. (Of course they end up in Hawaii with the gang, too.) Minka Kelly, Kevin Nealon, and Rachel Dratch also make memorable cameos. But it's Sandler and Aniston, along with the snappy direction by Dennis Dugan (
Happy Gilmore,
Big Daddy), who make
Just Go with It one of the more romantic--and funny--romantic comedies in recent memory. Our advice: Sit back, and just go with it. --
A.T. HurleyMisfit NYPD detectives Gamble and Hoitz (Will Ferrell and Mark Wahlberg) are sentenced to life behind the desk. Th! ey hate each other and the monotony of their meaningless jobs, as they’re forced to live in the shadow of the two biggest and most badass cops on the force (Samuel L. Jackson and Dwayne Johnson). But when those guys go down for the count, opportunity knocks for Gamble and Hoitz. Stumbling onto what could be one of the biggest crimes in years, can The Other Guys step up their game to solve the case without killing each other and destroying NYC in the process? From the director of
Step Brothers and
Talladega Nights: The Ballad of Ricky Bobby.Although the comedy team of Will Ferrell and Mark Wahlberg does not sound like a threat to Laurel and Hardy or Abbott and Costello, they conjure up consistent laughs in
The Other Guys, yet another comedy from
Talladega Nights director Adam McKay. Ferrell plays a mild-mannered police accountant partnered with Wahlberg's hothead (recently demoted to desk-jockey duty after shooting a very famous Yankee player du! ring the World Series), and both men must endure the showboati! ng fame of a pair of supercops (Samuel L. Jackson and Dwayne Johnson) in their New York City precinct house. Along with sending up cop-movie clichés, the movie basically exists to give Ferrell and Wahlberg room to work amusing variations on their characters (with grace notes for Michael Keaton's stereotypical tough captain, too). The loosey-goosey structure works especially well when Wahlberg is needling his partner's squareness or marveling, in wonderfully awestruck tones, at the unbelievable hot-i-tude of Ferrell's wife (Eva Mendes)--a discrepancy made all the more maddening because Ferrell seems indifferent to her charms. Throw in a plot about a billionaire Wall Street crook (Steve Coogan) and the revelation of Ferrell's hilariously dark past, and the movie finds a nice zone of silliness. Of course, any Will Ferrell vehicle must be judged by the opportunities for the star to launch into some borderline-surreal riff--and happily, this film comes through. From the moment Ferrell b! egins deconstructing Wahlberg's lion versus tuna metaphor,
The Other Guys manages to find time for such nonsense, and the film--the world in general, for that matter--is the better for it.
--Robert HortonSteve Carell and Tina Fey are “a match made in comedy heaven†(Ben Lyons, E!) in this uproarious adventure about an ordinary couple in the right place...on the wrong night. Phil and Claire Foster are a sensible, suburban husband and wife slogging through their daily lives and marriage. But a case of mistaken identity sets off a n outrageous chain of events involving small-time thieves, big-city mobsters, corrupt cops and a crazed cabbie, as the Fosters’ “date night†turns into a wild ride they’ll never forget! Tina Fey and Steve Carell are two of the most charming performers in entertainment today. Their goofy attractiveness makes them a perfect couple in
Date Night: an unremarkable husband and wife from New Jersey, they get mistaken for cro! oks in Manhattan, sending them on a wild night replete with sn! ooty wai t staff, crooked cops, glitter-specked strippers, a shirtless superspy (Mark Wahlberg, as buff as ever), and a preposterous car chase. The movie makes no effort to be remotely plausible and the last third really goes off the rails, and it would probably be better served by less familiar faces in minor roles (bit parts are played by Mark Ruffalo, Kristen Wiig, Common, James Franco, Mila Kunis, William Fichtner, and Ray Liotta). It's disappointing that the dialogue doesn't crackle the way it does on
30 Rock or
The Office. But Fey and Carell carry the movie along through sheer nerdy pluck. Rarely does a couple in a movie seem genuinely devoted to each other, not out of wild passion, but for all the things that a real marriage is built on: patience, shared humor, a willingness to deal with day-to-day annoyances, and simple affection. Fey and Carell seem like a couple you'd actually enjoy going out to dinner with. In today's world, that's more romantic than sunsets ! and bouquets of roses.
--Bret Fetzer“**** This Year’s COOLEST Animated Comedy!†â€" Jeff Craig, Sixty Second Preview
Get ready for a minion laughs in the funniest blockbuster hit of the year!
Vying for the title of “World’s Greatest Villainâ€, Gru (voiced by Steve Carell) â€" along with his hilarious crew of mischievous minions â€" plots to pull off the craziest crime of the century: steal the moon! But when Gru enlists the help of three little girls, they see something in him nobody else has ever seen: the perfect dad. From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of an all-star comedic cast, including Jason Segel, Russell Brand, Miranda Cosgrove and Julie Andrews, Despicable Me is “rousingly funny, heartfelt and imaginative†(Pete Hammond, Boxoffice Magazine).
Despicable Me is a compelling animated comedy about an aging supervillain's falling popularity at the hands of a y! ounger supervillain and three young orphan girls. Gru is a tru! e, bad-t o-the-core evildoer who's earned the title of the world's No. 1 supervillain. But when young upstart Vector steals the Pyramid of Giza, Gru's status suddenly sinks to No. 2. Gru counters his fall by speeding up his plan to shrink and steal the moon, enlisting the help of his army of minions and the elderly Dr. Nefario, but a lack of funding and the difficulties involved in stealing the needed shrink-ray gun threaten to derail everything. Adopting three young orphan girls is an unlikely, but seemingly effective means to further Gru's evil mission, but Gru quickly discovers that caring for three young girls is more work, and distraction, than he could ever have anticipated. What unfolds is an unexpected shift in attitude that will forever change the lives of Gru, Vector, and all three young girls. A visually appealing film produced by Chris Meledandri (
Ice Age,
Ice Age 2: The Meltdown, and
Horton Hears a Who),
Despicable Me is full of weirdly shaped! characters and settings that are somehow a perfect fit for Sergio Pablos's story. What's especially refreshing is that in this film, 3-D effects are used skillfully and effectively: even when the effects are exploited for comic reasons, they don't become a distraction, as is all too common in many recent movies. The film is full of corny banter and silly antics that inspire plenty of spontaneous laughter, and the minions, while not the best-developed characters, sure are comical. Ultimately, there's also a wholesome message about following one's heart. Steve Carell is the perfect villain-gone-soft in his role as Gru, Jason Segal is quite funny as Vector, and Julie Andrews makes a surprising appearance as Gru's very un-motherly mom. The story isn't new, the humor is relatively juvenile and somewhat forgettable, and it's no
Toy Story 3, but
Despicable Me celebrates silliness in a way that's satisfying and highly entertaining. (Ages 6 and older)
--Tami Horiuc! hi
