Tuesday, November 8, 2011

Fever 1793

  • ISBN13: 9780689848919
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
During the summer of 1793, Mattie Cook lives above the family coffee shop with her widowed mother and grandfather. Mattie spends her days avoiding chores and making plans to turn the family business into the finest Philadelphia has ever seen. But then the fever breaks out.

Disease sweeps the streets, destroying everything in its path and turning Mattie's world upside down. At her feverish mother's insistence, Mattie flees the city with her grandfather. But she soon discovers that the sickness is everywhere, and Mattie must learn quickly how to survive in a city turned frantic with disease.On the heels of her acclaimed contemporary teen novel Speak, Laurie Halse Anderson surprises her fans ! with a riveting and well-researched historical fiction. Fever 1793 is based on an actual epidemic of yellow fever in Philadelphia that wiped out 5,000 people--or 10 percent of the city's population--in three months. At the close of the 18th century, Philadelphia was the bustling capital of the United States, with Washington and Jefferson in residence. During the hot mosquito-infested summer of 1793, the dreaded yellow fever spread like wildfire, killing people overnight. Like specters from the Middle Ages, gravediggers drew carts through the streets crying "Bring out your dead!" The rich fled to the country, abandoning the city to looters, forsaken corpses, and frightened survivors.

In the foreground of this story is 16-year-old Mattie Cook, whose mother and grandfather own a popular coffee house on High Street. Mattie's comfortable and interesting life is shattered by the epidemic, as her mother is felled and the girl and her grandfathe! r must flee for their lives. Later, after much hardship and ! terror, they return to the deserted town to find their former cook, a freed slave, working with the African Free Society, an actual group who undertook to visit and assist the sick and saved many lives. As first frost arrives and the epidemic ends, Mattie's sufferings have changed her from a willful child to a strong, capable young woman able to manage her family's business on her own. (Ages 12 and older) --Patty Campbell

The Ballad of Jack and Rose Poster Movie 11x17 Daniel Day-Lewis Camilla Belle Catherine Keener

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Ballad of Jack and Rose 11 x 17 Inches Style A Mini Poster
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From the award-winning writer-director of Personal Velocity comes a startling drama about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only other companion is his 16-year-old daughter Ro! se (Camilla Belle), whom he has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's! sudden coming-of-age.

Oscar(r) winner* Daniel Da! y-Lewis (Gangs of New York) is "a joy to watch" (Newsday) as a defiant idealist in this "moving, often hilariouscoming-of-age story" (Vogue) from writer-director Rebecca Miller (Personal Velocity). Catherine Keener (Being John Malkovich), Camilla Belle (Practical Magic), Beau Bridges (The Fabulous Baker Boys), Jason Lee (Almost Famous) and Jena Malone (Saved!) co-star. Jack (Day-Lewis) and his 16-year-old daughter Rose (Belle) live in relative isolation on a beautiful island off the East Coast. When he invites his mainland girlfriend (Keener) and her two teenage sons to come live with them, it is Rose's first exposure to society - and sexuality. As worlds collide, the consequences will threaten not only Jack and Rose's way of life but also their unusually close bond. *1989: Actor, My Left Foot.Soured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camilla Belle) have formed an unsettling degree of happy intimacy in an abandoned commune. But Jack's heart condition leav! es him fearful of what will happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in. Great work from Day-Lewis and Keener is no surprise, but Belle matches them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film of what promises to be a long and rich career. --Bret Fetzer
From the award-winning writer-director of! Personal Velocity comes a startling dram! a about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only other companion is his 16-year-old daughter Rose (Camilla Belle), whom he has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her inno! cence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's sudden coming-of-age.

From the award-winning writer-director of Personal Velocity comes a startling drama about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only ot! her companion is his 16-year-old daughter Rose (Camilla Belle)! , whom h e has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's sudden coming-of-age.
Oscar(r) winner* Daniel Day-Lewis (Gangs of New York) is "a joy to watch" (Newsday) as a defiant idealist in this "moving, often hilariouscoming-of-age story" (Vogue) from writer-director Rebecca Miller (Personal Velocity). Catherine Keener (Being John Malkovich), Camilla Belle (Practical Magic), Beau Bridges (The Fabulous Baker Boys), Jason Lee (Almost Famous) and Jena Malone (Saved!) co-star. Jack (Day-Lewis) and his 16-year-old daughter Rose (Belle) live in relative isolation on a beautiful island off the East Coast. When he invites his mainland girlfriend (Keener) and her two teenage sons to come live with them, it is Rose's first exposure to society - and sexuality. As worlds collide, the consequences will threaten not only Jack and Rose's way of life but also their unusually close bond. *1989: Actor, My Left Foot.Soured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camilla Belle) have formed an unsettling degree of happy intimacy in an abando! ned commune. But Jack's heart condition leaves him fearful of ! what wil l happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in. Great work from Day-Lewis and Keener is no surprise, but Belle matches them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film of what promises to be a long and rich career. --Bret FetzerAfter more than twenty years of living a life on the road, Delta Rose return! s to the ranch he once owned with his fiancee, Etta James. A bullet wedged close to his heart has dealt Delta the dead man's hand. He soon discovers Etta has a secret: they have a son who, by now a young man, is in trouble. He is charged with both robbery and murder. Can Delta redeem himself for a past ill spent and save the life of the son he never knew he had?Soured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camilla Belle) have formed an unsettling degree of happy intimacy in an abandoned commune. But Jack's heart condition leaves him fearful of what will happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in! . Great work from Day-Lewis and Keener is no surprise, but Bel! le match es them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film of what promises to be a long and rich career. --Bret FetzerThe Ballad of Jack and Rose reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Callas Forever (Callas Por Siempre) [NTSC/REGION 1 & 4 DVD. Import-Latin America]

  • AUDIO: Spanish & English
  • SUBTITLES: English & Spanish
  • REGION: 1 & 4
  • Latinamerica Import DVD
In this loving tribute to Maria Callas, Zeffirelli imagines what could have happened at the end of her life at the age of 53.Franco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film, about the last few months of the great soprano's life in 1977, moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.

In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her ! career. Her final days were a nightmare. But Zeffirelli uses his imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he will film her greatest roles, using her recordings as soundtracks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.

But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly i! n a production of Tosca, when she stabs the villainous ! Scarpia (Justino Diaz) shouting savagely "muori dannato, muori, muori, muori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanInternationally acclaimed director Franco Zeffirelli (Romeo and Juliet, Hamlet) beautifully recreates the magic, passion and artistry of the opera diva Maria Callas, known as "the voice of the century." In this loving tribute to his longtime friend, Zeffirelli imagines what could have happened at the end of Callas' life close to her death at the age of 53. Popular French actress Fanny Ardant perfectly fits the role of the temperamental diva, capturing all the fiery intensity of the legend on and off the stage. Oscar-winner Jeremy Irons shines as the diva's former manager who persuades her to re-launch her career, despite her fading powers. A unique, rare gem of a film featuring actual sound recordings of Callas in performance, CALLAS FOREVER makes ! a lasting impact as a stunning human portrayal of one of the greatest artists of our time.Franco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film, about the last few months of the great soprano's life in 1977, moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.

In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be h! er manager and has a scheme to revive her career in movies: he! will fi lm her greatest roles, using her recordings as soundtracks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.

But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Scarpia (Justino Diaz) shouting savagely "muori dannato, muori, muori, muori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanThis di! gital document is an article from Siempre!, published by Thomson Gale on July 25, 2004. The length of the article is 817 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: María Callas vista por Franco Zeffirelli.(Callas Forever)(Reseña de película)
Author: Tomás Pérez Turrent
Publication: Siempre! (Magazine/Journal)
Date: July 25, 2004
Publisher: Thomson Gale
Volume: 51 Issue: 2667 Page: 76(1)

Article Type: Reseña de película

Distributed by Thomson GaleUn grupo de rock llega a París, donde les recibe un grupo de admiradores, periodistas y fotógrafos entre vítores y ! aplausos. Acompaña al grupo su manager, un señor inglés de ! cincuent a años que responde al nombre de Larry Kelly; en el pasado Larry organizó varias giras para María Callas. Larry intenta sin éxito llamar por teléfono a la famosa cantante de ópera. Se acerca al apartamento de María en París, donde sabe que lleva viviendo un tiempo como una ermitaña, y le intenta convencer de que haga una aparición especial con el nombre de Callas Por Siempre. María no es ni la sombra de lo que era, de la mujer elegante y segura de sí misma que todos conocemos. Tiene insomnio y se pasa todas las noches en vela escuchando los discos que grabó. Durante el día vive voluntariamente exiliada con la ayuda de drogas varias. Rechaza la oferta de Larry con firmeza. Su carrera ha terminado. Pero Larry sabe que sigue ejerciendo cierto poder sobre María y con la ayuda de Sarah, una periodista inglesa amiga de toda la vida de la cantante de ópera, la convencen de que le acompañe a un estudio de televisión. En el estudio le explican que el proyecto consiste en una serie de vídeos en los que María recreará las más memorables de sus actuaciones acompañada por la voz de sus antiguos discos. Fascinada por las posibilidades tecnológicas de hoy día, María accede a hacer el primer vídeo, Carmen, una ópera que nunca cantó sobre el escenario.

Perfect One-Dish Dinners: All You Need for Easy Get-Togethers

  • ISBN13: 9780547195957
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
There is one upside to almost getting raped. It proves that you're at least desirable to someone. Maybe Andrew Ashton is just a little bit too rational for his own good. Not however where it concerns his best friend Sean Denham, scion of a political dynasty, and like him from a privileged background. There's only one problem: Sean is straight. Of course he is.

Being born into money was up until now one of the smartest moves Andrew Nathaniel Ashton VII ever made. It keeps him free from worries about his future, earning a living and more of those trivialities, so he can dedicate himself to the really important things in life. Like getting laid.

In his society indentured servitude, c! ommonly known as slavery, has been reintroduced for several, but mainly economical reasons. It doesn't bother him all that much. Slaves are kept on large farming corporations, in factories, in the backside of stores and such. Out of sight.

Andrew knows slavery exists, and he doesn't approve, but on the other hand, it is not as if he made the system what it is, is it? Yes, there was this one time when it touched him personally, but what could he do about it? It is not as if slavery is ever going to become a personal issue, is it?

Andrew thinks the future, all in all, looks bright and carefree. He thinks he is about to find true love. He thinks he is safe.

He is wrong.There is one upside to almost getting raped. It proves that you're at least desirable to someone. Maybe Andrew Ashton is just a little bit too rational for his own good. Not however where it concerns his best friend Sean Denham, scion of a political dynasty, and like him from a p! rivileged background. There's only one problem: Sean is straig! ht. Of c ourse he is.

Being born into money was up until now one of the smartest moves Andrew Nathaniel Ashton VII ever made. It keeps him free from worries about his future, earning a living and more of those trivialities, so he can dedicate himself to the really important things in life. Like getting laid.

In his society indentured servitude, commonly known as slavery, has been reintroduced for several, but mainly economical reasons. It doesn't bother him all that much. Slaves are kept on large farming corporations, in factories, in the backside of stores and such. Out of sight.

Andrew knows slavery exists, and he doesn't approve, but on the other hand, it is not as if he made the system what it is, is it? Yes, there was this one time when it touched him personally, but what could he do about it? It is not as if slavery is ever going to become a personal issue, is it?

Andrew thinks the future, all in all, looks bright and carefree. He thinks he is about ! to find true love. He thinks he is safe.

He is wrong.In this outstanding first novel, Craig Johnson draws on his background in law enforcement and his deep attachment to the American West to produce a literary mystery of stunning authenticity, and full of memorable characters. Walt Longmire, sheriff of Wyoming’s Absaroka County, knows he’s got trouble when Cody Pritchard is found dead. Two years earlier, Cody and three accomplices had been given suspended sentences for raping a Northern Cheyenne girl. Is someone seeking vengeance? Longmire faces the most volatile and challenging case in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.

“We in the West have a major new talent on our hands.”
â€"The Denver Post
“A winning piece of work, and a convincing feel to the whole package.”
â€"The Washington Post
“Craig Johnson does it right, with style, gr! ace, wildfire pace, and a sense of humor.”
â€"Bob Shacoc! his
B ecca North doesn't want a boyfriend, but her BFF Nora certainly does-even if she won't admit it. Becca is so off men.

But when Nora, owner of Nora's Novel Niche, meets Suzie the Matchmaking Chef during a booksigning, she finagles a way for the matchmaker to arrange a picnic lunch date for her-on television, no less! Nora drags Becca along for moral support, and to check out her date.

Thing is, Nora's date would rather check out Becca, instead.

Sam Ackerman is a busy man with a business to run and no time to pursue a relationship. The last thing he needs is to be hooked into a matchmaking scheme played out for the world on national television, but he reluctantly plays along for his friend, Suzie. He knows right away, that his "date" Nora, as beautiful and smart as she is, isn't for him. Her raven-haired BFF hanging around on the sidelines, though, is a tempting candidate.

So, he decides to forgo the entrée and head straight! for the side dish.Becca North doesn't want a boyfriend, but her BFF Nora certainly does-even if she won't admit it. Becca is so off men.

But when Nora, owner of Nora's Novel Niche, meets Suzie the Matchmaking Chef during a booksigning, she finagles a way for the matchmaker to arrange a picnic lunch date for her-on television, no less! Nora drags Becca along for moral support, and to check out her date.

Thing is, Nora's date would rather check out Becca, instead.

Sam Ackerman is a busy man with a business to run and no time to pursue a relationship. The last thing he needs is to be hooked into a matchmaking scheme played out for the world on national television, but he reluctantly plays along for his friend, Suzie. He knows right away, that his "date" Nora, as beautiful and smart as she is, isn't for him. Her raven-haired BFF hanging around on the sidelines, though, is a tempting candidate.

So, he decides to forgo the entrée and head str! aight for the side dish.A globe-trotting, century-hopping c! elebrati on of dishes

As every great hostess knows, the right dinner plates bring design, color, and drama to the table and elevate an ordinary meal into something special. Dish is a visual celebration of these everyday pieces of art that have been the objects of desire of kings, queens, brides, chefs, and hostesses for centuries.From the first wooden trenchers of the Middle Ages to the seventeenth-century China trade, from twentieth-century designer wares to the colorful melamine plates so widely available today, more than 800 plates are on display here. With insightful descriptions and an expert’s knowledge, author Shax Riegler makes the case that the dinner plate is so much more than just a vessel to deliver food; it’s a piece of art to be admired.These are plates created by storied masters such as Spode and Wedgwood, modernists like Russel Wright and Homer Laughlin, and even today’s contemporary designers like Vera Wang and Diane von Furstenberg. Dish shows them in full color with large photographs, detail shots, and even back-of-the-plate photos, delivering a feast for the eyes for obsessive fans and casual admirers alike.With a timeline of plate highlights in history, sidebars showcasing the most popular designers, and a list of the top 100 patterns of all time, Dish will leave readers looking at the common dinner plate in a whole new way.This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appr! eciate your understanding of the imperfections in the preserva! tion pro cess, and hope you enjoy this valuable book.

After years of hard work, Gina Foxton, chef extraordinaire and former runner-up Miss Teen Vidalia Onion, is hosting her own show, Fresh Start, on Georgia public television. She's also dating the producer. But when Fresh Start goes badâ€"and her boyfriend is caught in flagrante delicto with the boss's wifeâ€"Gina decides it's time to pursue bigger dreams. Namely a gig on national television.

Gina knows she's destined to be the Cooking Channel's next superstar. But the execs also have their eyes on Tate Moody, Mr. "Kill It and Grill It" himself, host of the hunting, fishing, and cooking show Vittles. The ultimate man's man, Tate is a tasty side of beef with a large, swooning female fan base. Gina's loyal devotees consist of her free-spirited college-dropout sister and her mother . . . who calls every single day.

When the smoke clears there can be only one TV chef standing, and Gina and Tate ! are ready for the cook-off of their lives.

In her instant national bestseller Naturally Thin , Bethenny Frankel taught readers how to find their food voice to know when they are really hungry, and then to reach for natural foods, particularly ones that are filling and fiber-rich. In The Skinnygirl Dish , she adds to that foundation serving up more of her encouragement with three weeks of tasty meals, snacks, and drinks to break the cycle of yo-yo dieting. Drawing on her now famous rules like “Your Diet is a Bank Account” and “Taste Everything, Eat Nothing,” Bethenny caters to the real lifestyles of readers today and shows how to maintain a healthy diet wherever you are: in a restaurant, on a plane, or with your family. With recipes and advice for holidays and special occasions and a guide to a healthful kitchenâ€"all with Bethenny’s fun, informative personalityâ€"here’s another breakout hit from everyone’s favorite Housewife. ."This colle! ction of brilliantly conceived, seasonally driven recipes has ! quickly become one of my favorites. Easy to prepare and incredibly satisfying, this is inventive comfort food at its best. A must for any passionate home cook."
--Gwyneth Paltrow, author of My Father's Daughter

"Fig Snacking Cake? Stupendous Hummus? Whatever Greens You've Got Salad? I want all of it! Melissa's smart, welcoming style and love of food infuse this wonderful cookbook. It's an extremely personal collection of recipes, each with its own subtle twists and original flavors, and on every page you hear Melissa's voice reassuringly guiding you around the kitchen."
--Amanda Hesser, author of The Essential New York Times Cookbook and co-founder of food52.com

Melissa Clark, New York Times Dining Section columnist, offers a calendar year's worth of brand-new recipes for cooking with fresh, local ingredients--replete with lively and entertaining stories of feeding her own family and friends.

Many people want t! o eat well, organically and locally, but don't know where or even when to begin, since the offerings at their local farmers' market change with the season. In Cook This Now, Melissa Clark shares all her market savvy, including what she decides to cook after a chilly visit to the produce section in the dead of winter; what to bring to a potluck dinner that's guaranteed to be a hit; and how she feeds her marathon-running husband and finicky toddler. In addition, she regales us with personal stories about good times with family and friends, and cooking adventures such as her obsessive cherry pie experimentation and the day she threw out her husband's last preserved Meyer lemon.

In her welcoming, friendly voice, Melissa takes you inside her life while providing the dishes that will become your go-to meals for your own busy days. Recipes include Crisp Roasted Chicken with Chickpeas, Lemons, and Carrots with Parsley Gremolata; Baked Apples w! ith Fig and Cardamom Crumble; Honey-Roasted Carrot Salad wit! h Arugul a and Almonds; Quick-Braised Pork Chops with Spring Greens and Anchovies; Coconut Fudge Brownies--and much more.

Melissa delivers easy, delicious meals featuring organic, fresh ingredients that can be uniquely obtained during each particular month. It can be a real challenge to feed families these days, but Melissa's recipes and inviting writing encourage home cooks to venture outside of the familiar, yet please everyone at the table.

The premise is simple: with five common spices and a few basic ingredients, home cooks can create fifty mouthwatering Indian dishes, as diverse as they are delicious. Cooking teacher Ruta Kahate has chosen easy-to-find spicescoriander, cumin, mustard, cayenne pepper, and turmericto create authentic, accessible Indian dishes everyone will love. Roasted Lamb with Burnt Onions uses just two spices and three steps resulting in a meltingly tender roast. Steamed Cauliflower with a Spicy TomatoSauce and Curried Mushrooms and Peas s! hare the same three spices, but each tastes completely different. Suggested menus offer inspiration for entire Indian dinners. For quick and easy Indian meals, keep it simple with 5 Spices, 50 Dishes. Fall into Cooking Featured Recipe from Pam Anderson’s Perfect One-Dish Dinners: Festive Roast Chicken and Stuffing

The chicken can be rubbed with the spice, the bread cubes toasted, and the sausage and vegetables cooked up to 2 days in advance. After you just brown the chicken, mix the stuffing, bake, and serve. If you need to bake this dish in a disposable pan, remember that the thin foil will not retain heat like a heavy roasting pan, so you’ll need to increase the baking time by 10 to 15 minutes. --Pam Anderson

Serves 8

!

Ingredients

10â€"12 cups ½-inch brea! d cubes, plus 2 cups finely ground fresh bread crumbs (use a food processor) from a couple loaves of dense, crusty Italian or French bread
3 tablespoons Italian seasoning, divided
1 tablespoon plus ¾ teaspoon salt, divided
2½ teaspoons freshly ground black pepper, divided
2 teaspoons fennel seeds, minced
1½ teaspoons finely grated orange zest
2 tablespoons olive oil
8 bone-in, skin-on chicken thighs (about 4 pounds), trimmed, rinsed, and patted dry
4 large split bone-in, skin-on chicken breasts (about 4 pounds), protruding rib bones and excess fat trimmed, rinsed, patted dry, and halved crosswise
1 pound bulk Italian sausage or 1 pound links, casings removed
2 medium onions, chopped (about 2 cups)
3 medium celery stalks, chopped (about 1 cup)
1½ cups finely chopped dried Turkish apricots
½ cup minced fresh parsley
2 large eggs
1 quart low chicken broth


Instructions

! Spread bread cubes in a single layer on a large baking sheet and spread bread crumbs on a separate baking sheet; let dry for several hours or overnight.

Adjust oven rack to lower-middle position; heat oven to 400 degrees. Bake bread cubes until golden brown, 12 to 15 minutes. (Do not toast crumbs.) Remove from oven and reduce oven temperature to 350 degrees.

Meanwhile, mix 2 tablespoons Italian herbs, 1 tablespoon salt, 2 teaspoons pepper, fennel, orange zest, and oil in a small bowl. Smear mixture over both sides of each piece of chicken.

Heat a large heavy roasting pan over two burners on medium-high heat. When wisps of smoke start to rise from pan, add chicken in 2 batches (breasts skin side down). Cook until skin is well browned (3 to 4 minutes), turn, and cook until chicken breasts lose their raw color on remaining side and skin on thighs is well browned, another couple of minutes. Remove from pan and set aside.

Add sausage to ro! asting pan and fry, stirring frequently to break it up, until ! it loses its raw color, about 5 minutes. Add onions and celery to pan and continue to cook until vegetables are soft, 7 to 8 minutes. In a large bowl, mix bread cubes, bread crumbs, sausage mixture, apricots, parsley, remaining 1 tablespoon Italian herbs, remaining ¾ teaspoon salt, and remaining ½ teaspoon pepper. Whisk eggs into broth in a medium bowl and pour over stuffing ingredients. Toss to coat and let stand for 10 minutes so bread absorbs broth.

Turn stuffing into unwashed roasting pan. Top with chicken (breasts skin side up) and bake until attractively brown and chicken is fully cooked, about 45 minutes. Remove from oven and let stand for 10 minutes before serving.

Drink An Alsatian white, a buttery West Coast Chardonnay or, for red, a delicate, fruity Pinot Noir




Product Description
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Recipe Excerpts from Perfect One-Dish Dinners


Salsa Verde Chicken with Herbed Cornmeal Dumplings

Baby Spinach Salad with Mangoes, Toasted Almonds, and Red Onions

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